The first chapter of The KUST Handbook of Ceramic Sculpture is dedicated to choosing the right clay body for sculptural work. It explains why chamotte stoneware clay is ideal for handbuilding, large forms, ceramic lamps, and complex constructions. You will learn how grog reduces shrinkage, improves stability, and helps prevent deformation during sculpting and firing.

The second chapter explores how plaster moulds and slip casting are used in ceramic design. It explains how a master model is created, how the mould reproduces the main form, and how liquid clay becomes a hollow ceramic object. You will also learn how casting can speed up production while still leaving room for hand-finishing, decoration, glazing, and unique design variations.