“Landscape” is a contemporary ceramic series that reimagines the natural environment through an abstract and material-driven lens. Rather than literal depictions of terrain, each ceramic panel serves as a sensory map—capturing the emotional residue and layered impressions of landscapes both remembered and imagined. This body of work is deeply rooted in material exploration. Using hand-built techniques, stoneware clay is carved, pressed, eroded, and glazed to evoke the passage of time, the weigh

The process is rooted in slow, intentional gestures: carving, layering, imprinting, and glazing. Cracks, ridges, and tonal gradients emerge not as flaws, but as natural echoes of erosion, time, and organic growth. Each piece is fired multiple times, allowing atmospheric effects to settle into the surface, reminiscent of geological shifts and weathered terrain.

"Landscape" invites the viewer to look closer—to slow down and read the surface like a map, or a memory. It is less about place than presence. The work becomes a quiet geography of feeling, allowing for open interpretation while grounding the viewer in material connection to the Earth.

“Landscape” is a contemporary ceramic series that reimagines the natural environment through an abstract and material-driven lens. Rather than literal depictions of terrain, each ceramic panel serves as a sensory map—capturing the emotional residue and layered impressions of landscapes both remembered and imagined.

“Landscape” is a series of ceramic abstract panels that explore the emotional and tactile memory of place through the language of form, texture, and surface. Each panel is a meditation on the natural world—not as it appears, but as it is felt: vast, layered, and alive with quiet motion. Rather than depict specific geographies, this body of work evokes the essence of landscapes—shorelines dissolving into fog, windswept plains under shifting skies, or the subterranean textures of earth and stone.

Rather than depict specific geographies, this body of work evokes the essence of landscapes—shorelines dissolving into fog, windswept plains under shifting skies, or the subterranean textures of earth and stone. Through the careful manipulation of ceramic material, these panels become topographies of intuition, where clay acts as both canvas and subject.